In most years, January tends to be the most boring month of the year for the box office. This is where Hollywood typically sends the movies in which it has the least faith. This is the dumping ground, the place where movies go to die so the studios can concentrate on their Oscar campaigns. However, thanks to ‘American Sniper,’ this January has bucked every trend. It may technically be a 2014 release, but Clint Eastwood’s war film has made the first chunk of 2015 interesting, shattering expectations and threatening to become the highest grossing film of last year in only a few weeks.
‘Breaking Bad’ may be completely, definitively over, but that doesn’t mean Walter White is ready to leave popular culture alone. Oh, no. As long as Bryan Cranston is alive and as lone as insurance companies are prepared to back dump trucks full of cash up this house, we’ll get to see America’s favorite meth dealer pop up every so often. So while it’s weird to se Cranston play Heisenberg one more time in an Esurance commercial, it’s not that surprising.
Super Bowl commercials are still a big, huge, massive, crazy deal, with major corporations shelling out absurd amounts of money on ads designed to win over the most reliably large and receptive audience in all of televised sports. So of course ‘SNL’ was going to contribute its own commercial parody to the mix...but man, no one was expecting something this mean, scathing or on-point.
Before he was a CGI creation, Jedi master Yoda was a puppet. Before green screens became the norm, the Dagobah set for ‘The Empire Strikes Back’ was built elevated off the ground to accommodate Yoda’s puppeteers. And before he brought Yoda to life, puppeteer and voice actor Frank Oz was best known as the man behind Miss Piggy. In a weird way, that makes the most wizened character in the ‘Star Wars’ universe a distant relative of the extended Muppet family.
With the Super Bowl arriving this weekend, every corporation in the world is fighting for your attention, spending ludicrous amounts of cash on tiny advertisements for things that most people already like. The same goes for movies and the biggest sporting event in the United States is no stranger to premiering new trailers and TV spots for massively anticipated films. So, without further ado, let’s all take a moment to watch the new ad for ‘Minions’.
Nicolas Cage has made a habit of selecting atrocious film roles for the better part of a decade, so it’s always a pleasant surprise when he finds himself attached to something that actually sounds promising. Fresh off a Razzie nomination for the quick and dirty paycheck gig that was ‘Left Behind,’ Cage is set to lead ‘Army of One,’ a film adaptation of a truly bizarre story about man’s hunt for Osama Bin Laden.
The original ‘Hot Tub Time Machine’ feels more like something a group of stoners came up with and giggled about for a few hours than an actual movie. And yet, it exists. And it made enough money to justify a sequel. And that sequel now has a new trailer. Ladies and gentlemen, the ‘Hot Tub Time Machine 2’ trailer!
A lot of people are going to act like they didn’t see the enormous success of ‘American Sniper’ coming, but the signs were all there. On top of the promising limited release numbers, there was the awards buzz. On top of that, there were the names of director Clint Eastwood and star Bradley Cooper. On top of that, the subject matter of the film is inherently attractive to the same category of moviegoer that makes Christian-themed films into massive hits. ‘American Sniper’ had one doozy of a weekend, but it’s not that surprising.
Yep, it’s that time of the year again. The 2015 Oscar nominations are here and it’s time for everyone to get outraged and cynical over which movies get the opportunity to take home statuettes of naked golden dudes. Sure, we always tell ourselves that the Academy Awards don’t really matter and that a film’s legacy will live or die for reasons beyond trophies, but we always end up getting angry about these things anyway. However, this year’s biggest snubs seems more egregious than usual and require slightly more yelling and stamping of feet.
It’s become fashionable in recent years to hate the Golden Raspberry Awards (AKA, the Razzies) and for good reason. The inherently negative awards claim to celebrate the worst films of the year, but they frequently nominate or “honor” ambitious misfires or boring studio junk over the real worst films of the year. To be fair, the Razzies are and have always been a big silly joke, but they’re a joke that leaves a bad taste in the mouth. And yet, it’s really hard to look at this year’s nominees and disagree. With a handful of minor exceptions, this looks like a year where the Razzies actually, well, kinda’ got it right.
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