While we continue to wait for a full trailer (ahem, Disney, let’s do this already) for Beauty and the Beast, Disney has released nine new high-res images from the upcoming live-action remake. The stills (which you can view in the gallery above) feature beautiful, detailed looks at Emma Watson’s Belle, Dan Stevens’ Beast, Luke Evans’ Gaston, and all those charming animated household helpers. And although Bill Condon’s film looks pretty faithful to the original animated version, Watson has revealed that they made at least one significant change to the story — Belle’s backstory, specifically.
This awards season is off to a tardy start across the board, with the Academy of Motion Pictures Arts & Sciences taking a bit longer than usual to select the producers of their annual Oscars ceremony. After a few months of speculation, the Academy has finally set a creative team to produce the 89th awards telecast: Three-time Oscar-nominated producer Michael DeLuca and Emmy-nominated producer Jennifer Todd.
The Cat in the Hat is one of those special, gotta-see-it-to-believe-it cinematic anomalies that make you question the sanity of the universe while simultaneously feeling grateful for the perfect Hollywood storm that allowed such a bonkers movie to exist. 13 years later, it turns out that the only thing more bizarre than the live-action Dr. Seuss movie is how Mike Myers behaved while making it.
Amazon is giving you plenty of things to be thankful for in November, adding dozens of new film and television titles to their streaming library — would it be too much to ask for an add-on program that takes the agony out of deciding what to watch, though? For instance, it’s a heavy first world burden to choose between the first season of AMC’s The Night Manager and binge-watching all of the Rocky movies (yes, even Creed). Before you know it, you’ve already wasted half of your Saturday browsing before you end up rewatching The Addams Family for the billionth time.
Willy Wonka’s chocolate factory may be a world of pure imagination where the sky is the limit and anything is possible, but it’s hard to say the same about major studios, which keep returning to the same well of established franchises (including board games and toys) to cash-in on name recognition — why risk millions on an original, inventive idea when they can just repurpose a tried-and-true classic? Such is the case with good ol’ Willy Wonka, who is returning to the big screen in a new prequel film from the producer of the Harry Potter series.
With the advent of technological helpmates like Siri and Alexa, it’s probably not long before we’re all living in a version of reality that feels a lot like Spike Jonze’s Her — or Iron Man, if you’re Mark Zuckerberg. The Facebook founder has been working to build his own A.I. system similar to Tony Stark’s Jarvis, and now that he’s ready to give it a voice, one Marvel star is eager to provide his services.
Hollywood’s troubling pay gap problem doesn’t only apply to gender; it also applies to people of color. And when you’re both a woman and a person of color, that salary discrepancy can be twice as offensive. Just ask Empire star Taraji P. Henson, who detailed her egregious experiences with Hollywood’s pay gap in her new memoir, which reveals that she was paid about two percent of what Brad Pitt made on The Curious Case of Benjamin Button — and that’s just the start.
In the decade-plus that’s passed since the series ended, it’s become increasingly clear that Lisa Kudrow was the best actor on Friends. Maybe we were too preoccupied with Rachel’s hair and perfecting our Joey impressions to notice it then, but thanks to the generous gift of hindsight, it seems glaringly obvious now. Despite David Schwimmer’s excellent Juice-fueled turn on The People v. O.J. Simpson, and Jennifer Aniston’s typically solid and, sure, occasionally good roles, it’s Kudrow who has proven herself as the most consistently great actor of the bunch. Why, then, has Hollywood been neglecting her so much in recent years? Why are films like Neighbors and The Girl on the Train wasting her on nothing, throwaway roles with a maximum screen time of three minutes?
Warner Bros.’ Wonder Woman solo film isn’t the only project about the Amazonian superhero that’s in the works. Sony is developing their own Wonder Woman movie — well, sort of. It’s called Professor Marston and The Wonder Women, and it centers on the iconic comic-book character’s creator, William Moulton Marston, his wife, and their unconventional relationship.
Disney’s Gigantic just got a little more interesting, as the studio has promoted screenwriter Meg LeFauve to co-director for the upcoming animated project. The co-writer of Inside Out and Marvel’s Captain Marvel solo movie joins Tangled director Nathan Greno on the new film, which offers an animated reimagining of the classic Jack and the Beanstalk story, first previewed during last year’s D23 Expo.
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