‘Beauty and the Beast’ Knocked ‘Star Wars’ Out of the All-Time Domestic Box Office Top 10
This past weekend, a seismic shift in box-office history took place and went largely unnoticed. The writing was on the wall for Star Wars’ legacy in the all-time top 10 highest-earning films, as noted on Reddit prior to the start of this past weekend. Box-office behemoth Beauty and the Beast continued to generate healthy grosses in its fifth weekend of release, ending the weekend with a princely (or should I say, princessly!) sum of $471.1 million. This gave the film a slight edge of the next-most-lucrative film on the list, which just so happened to be George Lucas’ original space opus. Star Wars and its lifetime gross of $461 million have now slid down to the #11 spot.
Netflix Is Willing to Release Original Movies Into Theaters, But Only After They’re on Netflix
Yesterday, Indiewire film critic David Ehrlich ran an illuminating essay on Netflix’s testy relationship with the original films it releases, explaining how their model of bypassing theatrical release and going straight to streaming ultimately degrades the viewing experience and makes the movies harder to find and appreciate. (This comes hot on the heels of an official denunciation from the Federation of French Cinemas against the Cannes Film Festival for allowing TV into their lineup for the first time ever.) Clearly, his words went straight to the top of Netflix’s corporate office, as the online video giant has issued a letter to their shareholders assuring them that everything’s going to be fine and movies aren’t dead, probably.
Seat-Kicking Incident Leads to Stabbing at Los Angeles Movie Theater
A few years ago, I wrote up a brief item about an incident taking place at Los Angeles’ AFI Film Festival wherein an irate woman maced a man in the face for having the gall to ask her to turn off her cell phone during a screening of Mike Leigh’s J.M.W. Turner biopic Mr. Turner. “Wow, being at the movies sure makes people do crazy things!” I thought to myself. “I wonder how long it’ll be until the next time I get to write about a violent movie theater conflict over petty nonsense.” That day has come at last, and this time [beat to let the moment breathe] the stakes are even higher.
The Shrek-oning Approaches With ‘Big Reinvention’ and Fifth Installment in the Works
In the years since Shrek Forever After, our most recent check-in with the friendly Mike Myers-voiced ogre, DreamWorks’ animated franchise has matured from a massively successful creative property into something vaster and stranger. Gradually but undeniably, the Shrek films have turned into a Whole Big Weird Internet Thing, with various denizens of the World Wide Web creating disturbing fan-art and cracking absurdist jokes about the smart-alecky series of animated films. In certain online circles, even uttering the words “Some-BODY once told me” is enough to prompt a barrage of surreal humor and warped image macros. And now that Shrek lives on as a sense-stymieing parody of its former self, what better time to revive the franchise?
Beyoncé In Talks to Run the Animal Kingdom as Nala in ‘Lion King’ Remake
You may remember pop star Beyoncé Knowles from her stint in the late-’90s/early-’00s R&B girl group Destiny‘s Child with “Pretty Girl Rock” singer Kelly Rowland and Michelle Williams (not the one from Manchester by the Sea). But did you know that the celebrated performer has cultivated an active solo career in the years since the group that made her famous broke up? Believe it or not, Knowles released a string of successful studio records over the past decade, starred in the music-video-compilation film Lemonade last year, and wed rapping man Jayson Z in 2008. And with that, I have completed my impression of someone who only heard of Beyoncé when scanning her Wikipedia page just now. We all know who Beyoncé is. She‘s Beyoncé.
Channing Tatum to Voice an R-Rated George Washington in ‘America: The Motion Picture’
After the release of the shocking Sausage Party racked up an equally shocking $140 million (far more than any of us expected a movie involving anal beads forcibly yanked out of an anthropomorphized hot dog bun to make), it was only a matter of time until more bawdy animation followed. Cartoons for grown-ups may be on their way to a moment in the sun, as today brings the news that Netflix has launched production on an R-rated project in a similar vein. But they won’t stop at desecrating the sacred space of the grocery store. This time, nothing short of our nation’s origin story will provide the canvas for whatever vulgarity they’ve got in store.
Andrew Dice Clay Could Be Lady Gaga’s Dad in Bradley Cooper-Directed ‘A Star Is Born’ Remake
Have we all safely made it through the headline above? No, you’re not having a stroke, those words are all in the correct order. (Unless part of your face is sagging and your speech isn’t making sense, in which case please stop reading mildly amusing entertainment news posts and contact a medical emergency service immediately.) Depending on how closely you’ve been following this project, the most shocking/perplexing/frightening part could be that Bradley Cooper will make his first foray into feature directing with a remake of the classic showbiz saga A Star Is Born, or maybe the fact that professional weirdo Lady Gaga will presumably assume human form to take the starring role. But those up-to-date on the development of this production will express the most surprise and bafflement over the breaking news that none other than Andrew Dice Clay — the Diceman, the Diceman, twice-as-nice-man — has entered the mix.
Unite the League with Character-Specific Teases for the Full ‘Justice League’ Trailer
Writing about the latest developments in movie-centric news isn’t a bad job, by any means — I could be mining ore and plucking chickens like my Eastern European forefathers — but some days still make you wanna sharpen up your morning coffee with something a little stronger. The recent trend of movie studios airing brief mini-trailers to tease the release of upcoming slightly-longer trailers numbers among my least favorite developments in online buzz-cultivating, and leave it to Zack Snyder and the DC cinematic universe to take that to the next level. Running a trailer for the trailer is some weak-ass bull, the sort of thing those nerds at Marvel would do — this is DC, baby, where they run five trailers for the trailer.
He Won’t Be Back: ‘Terminator’ Franchise Reportedly Dead
Did you know that they apparently made another Terminator movie in 2015? Despite having seen it in theaters back during its original run, this still strikes me as new, hard-to-believe information. If there was really a new installment of Arnold Schwarzenegger’s popular sci-fi/action franchise as recently as two years ago, wouldn’t someone remember that? Wikipedia claims that the film (subtitled Genisys, which sounds fake but okay) attempted to launch Game of Thrones star Emilia Clarke’s big-screen phase of her career, included a clutch starring role from Ahnuld himself, and earned the second-most of any entry in the series. Call me crazy, but that seems like a pretty major occurrence to have entirely fled the public‘s collective pop-cultural memory. I’m skeptical — does this look like a real movie to you?
New ‘The Boss Baby’ Trailer Riffs on ‘Beauty and the Beast’
The latest trailer for the upcoming DreamWorks film The Boss Baby — an animated comedy featuring Alec Baldwin voicing a baby who is, bear with me here, a boss — was specially cut together to be paired with Disney’s Beauty and the Beast remake, which premiered this past Friday. The video, jocularly titled “A Tale NOT As Old As Time” in reference to the line from the 1991 film’s theme music, features the Baldwin-voiced infant making Cogsworth and Lumiere play with one another as playthings before he directly accosts the audience. For a movie that would appear to be marketed to children, it sure does contain a joke about sticking a candlestick in there somewhere.
Let the Music Save Your Soul in the First Teaser Trailer for Pixar’s ‘Coco’
Pixar’s 2016 was something of a mixed bag, having landed a true-blue blockbuster with Finding Dory but then missing out on the coveted Oscar nomination. They’ll get back in the saddle in 2017 with Coco, a vibrant fantasy about the power of music, family, and remembrance of those lost to us. In the film, a lonely young boy finds a link to the past through an enchanted stringed instrument and sets off on an incredible journey with an animal companion, encountering all manner of dreamlike wonders (along with a monster or two) on the way. It bears mentioning at this point that this film is, in fact, not Kubo and the Two Strings.
Stephen King Has Seen – And Liked – the New ‘It’
Ever since the now-infamous photo of Pennywise the evil homicidal clown peeking out of a drainpipe surfaced online, fans of Stephen King’s seminal horror novel It have been concerned about Seth Graeme-Smith‘s upcoming film adaptation. There was fair cause for worry, too; it looked as if light was coming from several different sources, like a hasty photoshop job one might find on the box art for some direct-to-DVD cash grab. The only person who could really set the It devotees at ease would be Stephen King, who has seen dozens upon dozens of his works make the jump to the silver screen. And it would appear that he’s now done just that.
‘Spotlight’ Oscar-Winner Tom McCarthy to Rewrite Disney’s Live-Action Winnie the Pooh
Disney’s concept for Christopher Robin — a live-action reimagining of the happy tales of Winnie the Pooh and the rest of the Hundred Acre Wood gang — was kind of weird from the start. The idea was that the film would rejoin Pooh’s young pal Christopher Robin as a family man swept up in his professional life, with Pooh returning to remind the jaded grown-up of the wonderment of childhood. Perhaps Disney recognized what a tricky sell that might be, and accordingly decided to throw all the talented people they could at this. They brought in acerbic indie-circuit favorite Alex Ross Perry to draw up a script, and then hired eclectic director Marc Forster (responsible for everything from World War Z to Stranger Than Fiction to Finding Neverland to Quantum of Solace) to head up the operation.
115 Reviews In, ‘Get Out’ Still Has 100 Percent on Rotten Tomatoes
I was fortunate enough to attend a screening of Get Out earlier this week, and hoo boy, that right there is one fine motion picture. Our beloved Editor-in-Chief Matt Singer made as much clear in his ringing endorsement from Sundance, but take it from me: very spooky, very funny, has something to say, insanely well-cast and even more well-acted. It’s an easy movie to love, and while the box-office receipts from this upcoming weekend will rule on whether audiences agree, the critics of America have already made their voices heard. And those voices are ringing out in perfect unison, a harmony sounding out as if from an angelic choir: “THIS MOVIE RULES.”
See New Teasers for Disney’s ‘Avatar’ Theme Park, the Trippiest Place on Earth
So long as you’re not bothered by the ruthless capitalistic spirit of six-dollar bottled water and don’t stumble into the clandestine torture facility concealed within the giant EPCOT globe, everyone loves Disney’s amusement parks. They earned the title of Happiest Place on Earth through a militant doctrine of mandated cheer, and with a new amusement park based on James Cameron’s unkillable sci-fi series Avatar opening soon, they’ll add the distinction of Trippiest Place on Earth to their pedigree. Today brings two brief sneak peeks at the facility set to open this summer, and it’s like you can already hear the hallucinating 20-year-olds begging to be let off the ride.
Sam Jackson and John Goodman Face Off in Tense New ‘Kong: Skull Island’ Clip
Summer movie season starts a little earlier every year, and in 2017, it has consumed May, April, and even our beloved March. Logan will kick off the big-budget bonanza in the first weekend of March, and then cede the floor to the gargantuan Kong: Skull Island the weekend after. Even so, these two releases in particular inspire hope rather than dread when reflecting upon the studio-fronted franchise releases encroaching beyond their summer stomping grounds. All the previews have suggested that these two films will have something original to bring to the table, and the latest clip for Kong: Skull Island confirms that if nothing else, we’ll have some delectable character acting to enjoy.